songwriting

  • Aug 12

How to Actually Finish a Musical Idea

    Every song begins with an idea - a creative spark.

    We don't really understand where it comes from, and it's impossible to force.

    The moment usually feels exciting, adventurous, and full of possibility.

    Our creative fuel starts burning, and we ride the wave of that energy.

    It's effortless. It feels like flow.

    But then, all of a sudden, it stops.

    Maybe you've written a verse and a chorus. If you're lucky, you might even have an outline of the whole thing.

    But rarely do you finish the entire song in one sitting. That has literally only happened to me once.

    So what now?

    Why does coming up with the next part suddenly feel so difficult?

    And how come the song doesn't sound professional and perfect yet?

    You can clearly hear it in your mind. Maybe you can even picture the music video.

    But somehow, making it real forces you to face the gap between how you imagined it and how it actually sounds.

    And that's a hard gap to bridge.

    I call this the sculpting phase.

    This is where our impatient and insecure thoughts tend to be the loudest:

    "It's not like I imagined it."

    "This is too hard."

    "I just want to hear the finished version already."

    "Maybe I'm not talented enough."

    This phase is exactly what separates a collection of cool ideas from finished songs and confident performances.

    Think of it as an act of finesse.

    The extra care a chef takes when chopping carrots.

    The level of detail a painter pursues in the background of a piece, even though almost nobody will consciously notice it.

    In music, a lot of the sculpting simply happens through repetition.

    Playing the song over and over and over until it feels right.

    That's really all there is to it.

    Each playthrough is like a carving tool refining the details of a statue.

    One mistake I often see is songwriters moving into the "practice" phase too early - way before the song is fully formed, refined, and shaped into its final structure.

    I recommend taking this phase slowly.

    Stop frequently.

    Refine small sections.

    Experiment.

    Repeat them until they start feeling natural.

    This is also where songwriting and performance begin to overlap.

    The subtle imperfections in your rhythm, phrasing, or the way you transition between sections often become an essential part of the song itself.

    This is especially true for singer-songwriters who both write and perform their own music.

    Another major obstacle in finishing songs is a lack of structure.

    Once you run out of that initial burst of creative energy, make sure you capture the idea in some way.

    At the beginning, give yourself permission to experiment, flow and wonder.

    But once the idea arrives, you need to catch it quickly.

    Inspiration is like a slippery fish and learning to recognise a good idea is a skill in itself.

    And once you've caught it, give it structure.

    Throw the fish into a tank so you can step back, look at it, and decide whether to cook it or keep it as a pet.

    Haha. Maybe not my strongest analogy, but you get the point.

    Putting lyrics on paper, recording a melody into your voice notes, or getting the instrumental hook into your DAW gives your brain permission to let go of the idea for a moment.

    It creates enough distance to see it more objectively.

    And that allows you to recognise what needs to happen next, which often creates a new wave of inspiration.

    The process looks something like this:

    Initial Spark (Creative Flow) → Sculpting Phase (Making It Work) → Structure (Song Form, Verses, Choruses, Arrangement)

    Then you simply repeat the cycle until you arrive at a genuine sense of completeness.

    Not because you got tired of working on it.

    Not because you felt insecure.

    But because, at this moment in time, you honestly feel there's nothing more that needs improving.

    Sure, you'll probably come back to the song in a year or two and hear things you'd change.

    That's completely normal.

    It just means you've grown.

    But right now, the song feels finished.

    That's what we're aiming for.

    Self-honesty is crucial here.

    That's why music-making is such a personal process.

    It goes hand in hand with self-knowledge, self-development, and authentic expression and that's why during my mentoring I put so much emphasis on mindset.

    Try this approach next time you write a song and let me know how it goes.

    Stay creative and make more music.